From Maastrict to the PierShow with little time between – that’s the way the art world can spin. My first exposure to the European Fine Art Fair in Maastrict Holland, the most beautiful and civilized art scene I’ve ever attended. There were crowds of course, but nicely mannered and for the most part smartly dressed; the food was good to taste and elegantly presented, and the dealers in the booth eager to explain the history of their wares – for three quarters of the booths presented Old Master work and the remainder was Modern, not Contemporary. It was an oddly smoothly experience after all the razzmatazz of the earlier weeks in Manhattan and the hustle of the latest, the newest, the most provocative.
One fascinating fact: at the Weiss Gallery booth I was drawn in by the 16th portrait of Marie de Huelstre by Frans Pourbus the Younger and got into conversation with the dealer from whom I learned that a great source of these early portraits was from the United States! Apparently when the colonists came to America the most affluent of them were accompanied by ancestor portraits (or perhaps they weren’t yet ancestors at the time). Now there is a sort of restitution – those Europe originated paintings are being brought back across the Atlantic by English dealers and finding closer connections within England and the European Union. All I could wonder was who could possibly have wanted to part with any of these portraits, even if not a sentimentalist?
On the other hand there was literally nothing in the way of jewelry and collectibles you couldn’t find at the Pier Show last weekend. Visiting that vast space on the windy water site is like landing in the middle of a thousand attics and jewel boxes spilled higgely piggely out onto the stadium floor. No Old Masterpieces to be found here, but it’s lots of fun, especially if you enjoy bargaining a bit. As noted in the nearby photos, some booths sell well, while others look as packed at the end as they were at the beginning. Most of the dealers only show at these events and hold day jobs, so for a number this is a hobby, not a profession. You may know as much as they do, so not much chance for intimidation. For the new collector, and for those who are shy about asking prices, this may be the perfect start for dabbling your toe in that swirling pond we call the Art Market.
Written by Elin Lake-Ewald